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Judy's Blog

Tips & insights on the voice from professional vocalist, vocal coach and author of "Power, Path & Performance" vocal training method

Saturday, March 27, 2010

Well Behaved High Notes Are More Lovable

No matter what style of music you sing, from quiet alternative to heavy metal, there is a basic "etiquette" that your high notes should follow to be accepted and loved. It's like the stuff we learned in kindergarten. You, as the owner and operator of your high notes, are responsible to ensure they behave:
  1. No pushing... If you are a reader of this blog, you probably know how much I advise against this. Too much air pressure will sabotage the character of your high notes... they'll be pitchy and icky sounding... and may cause harm!
  2. Share the load... High notes need to be supported with adequate breath so they will not leave the brunt of the phrase to the other notes. Chickening out is no way to develop the beauty or control of your highs.
  3. Play nicely with others... notes, that is... If your high notes poke out of the rest of the phrase, all of a sudden loud and shrill due to incorrect set up and follow through, the jarring sound will be heard and felt with disdain (unfortunately too common in soprano sections of choirs and choruses.)
  4. Know when to use your inside or outside voice... If there is a crescendo or decrescendo appropriate to the music or directed by your leader, learn to control your high notes enough so they appropriately obey.
  5. Play a lot... You can't expect your high notes to behave if they never get to play. Do vocal range and control exercises to make them feel confident.
Now, go out and play nice.

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Thursday, February 18, 2010

Singing High Notes: 3 Quick Fixes To Make Them Easy

Straining and squeaking on high notes is a common malady for singers. Here are a couple of tips to rescue you from high note frustration. They not only can make your high notes doable... but also sound better:

1. Stand tall with flexible upper spine
...instead of crunched, shoulders up, neck tight, upper spine stiff.
This will help you control your breath instead of pound it against your cords.

2. Move your head slightly back, chin level.
...This will open your throat channel.

3. Drop and move your jaw.
...Try a slight chewing motion as you hit and hold the note.
This can cause a huge difference because it allows the soft palate to lift.

Squeaking is for mouses. (Mice?) Let me know how this works for you.

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